There are a few music composers of Hindi cinema, who never made it to the first rung. The reasons would have been many. But some of the composers were really unfortunate. In spite of having talent, they couldn’t make a mark of their own. Perhaps the era which they were composing in, already had popular composers and they couldn’t get enough exposure or publicity. Their careers were eclipsed by other prominent composers.
Today let me present to you one of them. Bulo Chandiram Ramchandani, born on 6th May in Karachi, better known as Bulo C Rani, was interested in music since childhood. His father was also a popular music composer of his times. Bulo used to recite sufi shayari of Shah Latif. He was fortunate to attend the recording of Tu Kaun Si Badli Mein which Noorjahan sang under the baton of Master Ghulam Haider. There he met the lyricist, D N Madhok who asked him to come to Mumbai. In Mumbai, he worked as an assistant to Khemchand Prakash and Gyan Dutt. He must have earned a lot of knowledge from the stalwarts. He also composed a few songs for the film, Paigham in 1943, where Gyandutt was the main composer.
Finally his first film as an independent composer was released, Pagli Duniya in 1944. The film was made under the banner of Ranjit Movietone. The company consistently offered him films as a composer and played a big role in his career. But as the company faced downfall, Bulo C Rani’s career also experienced a major setback. Bulo C Rani composed for around twenty films produced under the banner of Ranjit Movietone. It includes some prominent films like, Carwan, Moorti, Rajputani, Bela, Bichhade Balam, and Jogan. His last film with Ranjit Movietone was Aurat Teri Yehi Kahani (1954).
The film, Pagli Duniya had a dozen songs of which half a dozen were sung by Amirbai Karnataki. Bulo C Rani himself sang under the pseudonym Bhola in the film. He continued his singing for a few films in the initial years of his career. Let’s start with the songs from Pagli Duniya.
Pagle Udas Kyun Rehta Hai – Pagli Duniya (1944) Bhola & Amritlal / Lyrics – Wali Saheb
I of course heard it for the first time. Quite a good song of optimism. Typical vintage era composition with instruments just adequate for the rhythm and for supporting the tune. But though the voices could be differentiated, I couldn’t establish who sang the initial part and which singer sang the last part, as both the voices were unknown to me.
Sham Bhai Ghar Aaja – Pagli Duniya (1944) Amirbai Karnataki / Lyrics – Bootaram Sharma
A very melodious, sweet song by Amirbai Karnataki. Good tune and impressive rendition. She had around six solos to her credit and was Bulo C Rani’s main female playback in the initial years of his career.
The same year saw Amirbai Karnataki singing for yet another film, Carwan. In the film, Bulo C Rani also offered a couple of songs to Zohrabai Ambalewali.
Sooni Padi Hai Pyar Ki Duniya – Carwan (1944) Amirbai Karnataki / Lyrics – Butaram Sharma
A beautiful ghazal by Amirbai Karnataki. While it was a part of my post on Amirbai Karnataki, I repeated it. It’s a very wonderful song, and one of my great favourites. It can be noted that Bulo C Rani composed quite a good number of beautiful ghazals in his films. And though he maintains the conventional style of ghazal recitation, the musical arrangement is different in some of the songs.
Aankhon Mein Intezar Ki Duniya – Carwan (1944) Zohrabai Ambalewali / Lyrics – Munshi Aziz
Another ghazal composed by Rani. What a beautiful rendition. Zohrabai’s voice, a little hoarse, but extremely expressive and beautiful, makes it a musical treat for the ears. The violin pieces are enchanting too. Zohrabai Ambalewali was a part of his team for a few years to come.
In 1945, the songs of the movie, Moorti were popular.
Badariya Baras Gayi Us Paar – Moorti (1945) Mukesh, Khurshid & Hameeda Bano / Lyrics – Pandit Indra Chandra
One of the earlier hits of Mukesh. It’s a really wonderful song with an enchanting tabla rhythm and powerful rendition by singers. I’m very much fond of the song. It was perhaps Mukesh’s first film with Bulo C Rani. Later he became Rani’s favourite playback singer and had a fair share for the next few years.
Haseeno Se Haseeno Ko Mohabbat – Moorti (1945) Mukesh / Lyrics – Pandit Indra Chandra
I couldn’t help adding another song from Moorti, a ghazal by Mukesh. We can clearly hear Mukesh following Saigal’s style of singing including pronunciation of words. It took a few years for him to be out of the influence and develop his own style. While the majority of his songs from the era were of sad mood, this one is refreshingly different. It is a playful song of teasing and praising.
For the film, Bela, Bulo C Rani chose only Zohrabai Ambalewali to sing all the songs, and though I know at least four of those, I’m adding only one,
Bheegi Bheegi Palkein Hai – Bela (1947) Zohrabai Ambalewali / Lyrics – Pandit Indra Chandra
A song with pathos. Listen how effectively he composes the slow paced melody, with less orchestration and mainly letting Zohrabai’s voice take the lead role. Still the rhythm instrument is audible in the background. The tune is good too.
In addition to Amirbai Karnataki and Zohrabai Ambalewali, Mohantara Talpade was also a regular singer in his team.
Rooth Gaye Mose Manmohan – Dharti (1946) Mohantara Talpade / Lyrics – Pandit Indra Chandra
I haven’t heard much of Mohantara Talpade, but she is very impressive in this song. Her voice is very expressive and it very aptly portrays emotions of a lady separated from her beloved. The song almost sounds like a devotional bhajan. The tune is so flowy, the melody flows smoothly, with Mohantara modulating her voice effortlessly.
Shamshad Begum made a brief appearance in Bulo C Rani’s musical team in the late 40s mainly. Her prominent songs with Bulo C Rani perhaps feature in Anjuman and Mitti Ke Khilone. I’m fond of the song, Chakuwalah Chhuriwalah from Al Hilal. It’s such a catchy song in rock n roll style and Shamshad Begum has excelled in it.
And I found a very funny, light hearted song in one of the films. It was a surprise to have such a song by Bulo C Rani, also the lyricist was a surprise too!
Humko Tere Dil Ke Bangle Mein – Maghroor (1950) Shamshad Begum & G M Durrani / Lyrics – Raja Mehdi Ali Khan
Such a light hearted fun song! Simple tune too. Shamshad Begum absolutely steals the show. The song was picturised on Meena Kumari and Mirza Musharaff. It could be a stage performance. Whatever it was! A thoroughly funny song. I remembered Shamshad’s duets with Chitalkar, it’s quite similar as far as the mood of the song, subject and lyrics are concerned.
Mukesh was certainly his favourite singer, to whom he offered many songs during the early years of his career. In addition to the songs of Moorti, let’s listen to some more of Mukesh’s songs sung under Bulo C Rani’s baton.
Ja Parwane Ja – Rajputani (1946) Mukesh & Hameeda Bano / Lyrics – Pandit Indra Chandra
It’s just a wonderful experience, listening to this vintage duet. What a great melody, you just get mesmerised. It’s really unfortunate that the composer of such a brilliant song couldn’t get assignments in the later years of his career. Perhaps he couldn’t adjust with the changing trends of film music.
Woh Teer Kaleje Par Ek Shokh Ne – Anjuman (1948) Mukesh / Lyrics – Majrooh
One more romantic ghazal composed by Bulo C Rani. I wasn’t aware of many of his songs of the 40s and now I feel I have found a treasure trove of excellent ghazals. He really has a number of ghazals to his credit. And in the song, it seems like Mukesh has found his feet. He still has Saigal’s influence, but is on the way of establishing his own style. Such beautiful expressions!
Unki Gali Mein Aaye Hum – Nazare (1949) Mukesh / Lyrics – Rajendra Krishan
I echo my own wordings from the commentary above. Yet another beautifully rendered ghazal in a typical style. While Mukesh is considered King of sad songs, he is equally at home with these romantic ghazals. Even if I heard these ghazals for the first time, I feel like revisiting them. Magnetic effects these ghazals have!
Armaan Bhara Dil Toot Gaya – Wafa (1950) Mukesh & Lata Mangeshkar / Lyrics – Hasrat Jaipuri
Bulo C Rani composed perhaps only a couple of songs for the movie, the others were composed by Vinod. But still he had this memorable duet to his credit. Listen to this pathos laden melody. It has a simple tune, and just enough orchestration to offer it a rhythm that sounds like a matka rhythm. Slow paced song with very little Interlude music, all the responsibility on the singer’s shoulders. I count this song among the best duets by Lata Mangeshkar and Mukesh.
Mast Chandni Jhoom Rahi Hai – Pyar Ki Baatein (1951) Mukesh & Geeta Dutt / Lyrics – M L Khanna
The song is picturised on Trilok Kapoor and Nargis, and is written by Manohar Khanna, Usha Khanna’s father. A sweet romantic song. I guess it’s not very popular, though it’s very good to listen to.
And, while Geeta Dutt had sung for him for the first time for the 1949 movie, Bhool Bhulaiya, it was the film, Jogan, that portrayed their best collaboration. In 1949 release, Darogaji, Geeta Dutt sang all the songs for Nargis, with a couple of my favourites, Le Ja Le Ja Babu and, Mere Man Ke Aangan Mein.
For the film, Jogan, Geeta Dutt sang Meera Bai Bhajans with great dedication and devotion. The film had 15 songs with Geeta Dutt singing a dozen of those. For me it’s one of the best recitals of Meerabai bhajans. The film also had songs by other lyricists. It also had a couple of Mujra songs by Shamshad Begum and a solo by Talat. In addition to the songs added on the list, I like ‘Chanda Khele Aankh Micholi’. The music piece played immediately after the opening line does manage to portray a moon getting overshadowed by clouds, or clouds moving off the moon. And I was disapponited not to find it in the video. While all the songs are my personal favorites, let’s listen to a couple of songs,
Ghunghat Ke Pat Khol Re – Jogan (1950) Geeta Dutt / Lyrics – Meera Bai
It was difficult to choose a bhajan from the wonderful set. Heart touching rendition and a very sweet melody by Bulo C Rani. I’ve heard a number of recitations of the bhajan by various singers, but for me this is the best. The other Meera Bai bhajans are excellent too.
Daro Re Rang Daro Re – Jogan (1950) Geeta Dutt & Chorus / Lyrics – Pandit Indra Chandra
Unparallelled sweet melody with excellent use of Jaltarang. There’s so much innocence and simplicity in the rendition and in picturisation. It’s one of my favourites since the day I heard it.
In all Geeta Dutt lent her voice to Nargis for three films in consecutive years, Darogaji (1949), Jogan (1950) and Pyar Ki Baatein (1951), all under the baton of Bulo C Rani.
And, I would also mention a song from Baghdad.
Raat Abhi Baki Hai – Baghdad (1952) Geeta Dutt / Lyrics – Raja Mehdi Ali Khan
A song with beautiful musical arrangement that elicits an unmistakable aura of Arabian flavour. What a perfect amalgamation of musical instruments! Still each one has its own presence. And a magical performance by Geeta Dutt.
Similarly Talat Mahmood also had a few of his best songs with Bulo C Rani. While, Sundarta Ke sabhi Shikari would be the best known, I would mention other songs.
Ae Jazba e Ishq Tera – Haseena (1955) Talat / Lyrics – Jaan Nisar Akhtar
A beautiful ghazal, this time with Talat. What a perfect rendition by Talat in his silken soft voice. The song made me remember, Ae Pyar Teri Duniya Se Hum by Lata Mangeshkar.
Kabhi Aansoo Bahate Hai – Madhur Milan (1955) Talat Mahmood & Rafi / Lyrics – S H Bihari
The film had a bunch of beautiful songs. This song by Talat Mahmood is my favourite. Though it’s technically a duet, Rafi enters for the last couple of lines. I wonder why it was so.
Talking about the songs composed by Bulo C Rani, I should mention Bilwamangal, which had a few of the best songs by Suraiya and C H Atma. While I was aware of just a couple of songs, actually the entire album is full of melodious songs. It’s a pity, Bulo C Rani couldn’t get connected to popular and big banners. If you haven’t heard the songs of Bilwamangal, please listen to the wonderful songs. I’m enchanted by Suraiya’s duet with Atma. While Parawanon Se Seekh Sikh Le, should be considered the most popular song of the film, I would highlight,
Jake Bain Pyare Pyare Hai – Bilwamangal (1954) Suraiya & ? Male voice / Lyrics – D N Madhok
What a melodious, soothing melody, full of extreme sweetness. Suraiya is at her best. A little complex tune, yet very impressive. There’s a male voice at the end, it doesn’t sound like Atma’s. Could anyone please let me know whose voice it is? Though popularly known as Jake Nain Pyare Pyare Hai, it’s actually जाके बैन प्यारे प्यारे हैं. I think it means, जिसकी मधुर वाणी हैं.
Chubh Gaye Do Naina Matware – Bilwamangal (1954) C H Atma / Lyrics – D N Madhok
I haven’t heard much of C H Atma, but he is very impressive in this movie. His style of singing very much resembles that of Saigal’s.
Coming to his songs sung by Mangeshkar sisters. Asha Bhosle was a part of a few songs in the late 50s mainly, though hardly any of the songs was popular. But I’ve a favourite from the film, Aarboo.
Jo Kal Banaya Tha Ashiyana – Aabroo (1956) Asha Bhosle / Lyrics – D N Madhok
I like the song, whether it is popular or not. It has meaningful lyrics, simple but catchy tune and Asha’s heart touching rendition. If you haven’t heard it before, please do listen. The stanzas are composed in a different tune. The song has a mixture of different emotions. It has shades of anger, frustration, helplessness and perseverance. The lady hasn’t given up yet, she is still keeping her spirits high.
Coming is the senior sister, Lata Mangeshkar. Perhaps their first film together was Wafa, where he had a solo and a duet sung by Lata Mangeshkar. Though he composed a good number of beautiful songs for Lata Mangeshkar, very few became popular. The ones from Gul Sanobar and Madhur Milan are well known. Perhaps it was the commercial failure of the films that the other songs were not popular.
Chupke Chupke Dil Mera Dhadka Jaye – Rasiya ( unreleased) Lata Mangeshkar / Lyrics – D N Madhok
A couple of songs from this unreleased movie are available. While I had the other one on one of my earlier lists (Lata with lesser known composers), I chose this. And what a beautiful and cheerful composition. Lata’s voice exudes playful attitude, innocence, though it also has a touch of bold confession of love.
Kya Haal Hai Dil Ka – Shikar (1955) Lata Mangeshkar & G M Durrani / Lyrics – Arshi Ajmeri
Hadn’t heard it ever before, but liked it instantly on the first listen. Composed in style of conversation. The answer to a question is also a question in itself. A lot of teasing and leg pulling going on. And poor Durrani! I don’t know why he was suddenly thrown out of the race in the early 50s. He was singing perfectly otherwise.
Tarase Jiya Barse Piya Nain – Veer Rajputani (1955) Lata Mangeshkar / Lyrics – G S Nepali
A good song, Lata Mangeshkar sang many good songs for Bulo C Rani. Unfortunately the songs were forgotten due to the film’s failure. I feel so bad for the unfortunate composer. Quality of his songs never dropped, he always maintained a high standard.
Na Baaz Aaya Muqaddar – Sunehre Qadam (1966) Lata Mangeshkar / Lyrics – Mahendra Pran
Lata Mangeshkar sang a couple of songs for his last film. While the movie wasn’t popular, the songs are known to some extent. And for me these are one of the best songs of Lata Mangeshkar. Heart touching rendition, very well woven in a soulful melody.
But, his career wasn’t finding any rhythm, though he went on to compose for B and C grade films in the 1960s. Though all the songs were not outstanding, a few were good and melodious. Let’s listen to some of his songs from the 1960s.
Baharen Luta Ke – Anarbala (1961) Subir Sen & Suman Kalyanpur / Lyrics – Ramesh Chandra Pandey
A very melodious romantic song. Hard to believe it’s from an obscure film. Has everything a popular song is supposed to have!
Hum Bhi Kho Gaye Hai – Madame Zorro (1962) Mukesh & Kamal Barot / Lyrics – Shewan Rizvi
What a pleasant romantic song! Again what an ear pleasing melody from an obscure film. Mukesh sang for him after a gap. These songs from the 60s prove that Bulo C Rani still had the ability to compose good melodies, alas! Never got to compose for a big banner.
Main Hoon Deewana – Haqdaar (1964) Mukesh / Lyrics – Prem Babartani
His favourite Mukesh sang again for him. It’s a good song, though it can’t be compared to their initial magical collaboration.
And, I know you are missing something. Of course, I’ve reserved the song to end today’s list. It’s like a cherry on the icing. The wonderful Qawwali from Al Hilal. Unfortunately even the popularity of the song couldn’t save his career. And he continued composing similar qawwalis in a few of his later films, though the songs couldn’t recreate the magic. So here we go, the last song,
Humein To Loot Liya Milke Husnawalon Ne- Al Hilal (1958) Ismail Azad Qawwal and Party / Lyrics – Shewan Rizvi
The Qawwali still holds its popularity. And it surely deserves it. Aren’t the harmonium pieces in the Interlude really wonderful? The song is a perfect qawwali.
In his entire career he composed for around 66 films, with around 550+ songs in total.
It would be interesting to note that more than 50% of his songs are female solos. He was inclined to Amirbai Karnataki, Zohrabai Ambalewali, Hameeda Bano, Mohantara Talpade in the earlier years of his career and later had Geeta Dutt (mainly in the early 50s) and Shamshad Begum (mainly in the late 40s and then perhaps as required) as a lead singer for a few films. He then appears to have turned to Asha Bhosle and Lata Mangeshkar of course, though his songs with the former couldn’t become popular, while the latter had relatively less number of songs. He also offered songs to Sudha Malhotra and Suman Kalyanpur, though it was the late phase of his career, where majority of the films were obscure or b grade. Some unheard singers like Vishni Lal also appear in his films.
Among male singers, after offering a number of songs to Mukesh in the early part of his career, he later chose Rafi, Talat Mahmood. In the case of Manna Dey, however, Bulo C Rani was one of the composers to offer him songs in the early 1940s. He also sang for Bulo C Rani in the later years. Very interestingly, G M Durrani was a part of his musical team right from the 50s, when actually Durrani’s career was experiencing a downfall. He sang for his last Hindi film, Sunehre Qadam as well. He was the voice of Rehman, the main lead and Agha, the supporting character, both. Ismail Azad Qawwal and the party also had a fair share, though barring the Al Hilal song, other qawwalis are hardly remembered today. It’s very interesting to note that he made Meena Kumari sing for a film, Piya Ghar Aaja. She also sang for the film, Bichhade Balam. And director Raj Khosla also sang under his baton, for the movie, Bhool Bhulaiya.
He worked with a number of lyricists, right from Wali Saheb and Pandit Indra Chandra to Indeevar, Raja Mehdi Ali Khan, S H Bihari and Hasrat Jaipuri. And from the lesser known Shewan Rizvi, Butaram Sharma to almost unknown, Arshi Ajmeri and Mahendra Pran.
His last Hindi film was Sunehre Qadam which was released in 1966. He was successful in Sindhi films thereafter. He was also engaged in music tutions for a period. He also composed NFS most probably in the 80s, but though his songs were praised, that doesn’t help him in any way. He couldn’t digest his loss of assignments in Hindi films. He slowly faded away from people’s memories. He had to shift to a suburb in Mumbai due to financial problems. He was there, alone, no one recognising him. Finally he fell prey to alcohol. He must have been severely depressed too and in a fit of depression, he took extreme steps on 24th May 1993. He committed suicide by setting himself on fire. Can’t even imagine what he must have been through. Such a tragic and unfortunate end of a talented composer. Only if he could have got a film or two by a big banner, who would have supported his creativity and talent! But that wasn’t to be.
A special thanks to Mr ArunKumar Deshmukh, who cleared my doubts and helped me. Thank you for bearing with me.
This time, my list has 30 songs, the highest ever on a single post on my blog. But if I have missed your favourite, please add it.
Mehfil Mein Meri, claims no credit for any image, screenshots or songs posted on this site. Images on this blog are posted to make the text interesting. The images and screenshots are the copyright of their original owners. The song links are shared from YouTube, only for the listening convenience of music lovers. The copyright of these songs rests with the respective owners, producers and music companies.
26 Replies to “Remembering Bulo C Rani”
My compliments for a very comprehensive post on Bulo C Rani. You have nicely summarised his preferred lyricists and singers. His Rafi hesitancy is very conscious.
The unreleased film ‘Rasiya’ had some really excellent Lata Mangeshkar’s songs. One of my favourites is:
‘Phir chhedne aayi hai wo kari badariya’
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Thank you for your appreciation. Yes, it’s very strange that none of his songs with Rafi ever got very popular.
I was aware of just a couple of songs from Rasiya. Now this third one is equally good.
He sounds so different in his songs, I mean such a big range of styles, so versatile! We can’t recognise his songs just by the prelude or the way it goes thereafter.
So tragic that he committed suicide and that too in such a painful way. Didn’t know that Mukesh saab was his favourite male singer, initially. Thanks, your post is very informative. Have only heard a couple of songs from your list so looking forward to listening the rest.
Here’s one that I like immensely:
Nain bhiye more baanware…
[Preet-1945/ Snehprabha Pradhan/ D.N. Madhok]
I know you are a vintage era expert. And you again proved that by adding a song, that I didn’t come across during my reaserch for the post. Though I know Snehprabha Pradhan by name, I hadn’t heard any of her songs. Thank you for sharing one of her wonderful songs.
Anup ji, you are very kind. I wouldn’t consider myself an expert in any field, let alone the vintage era. Just that in last couple of years I have started appreciating the old raw voices of the earlier years than the more polished ones of the golden age. Glad that you liked the song of Snehprabha ji. Find it very haunting.
Have been going through your list and am amazed that a person who could create such beautiful tunes is virtually unknown today.
It’s strange that the composer who had such a creativity and talent is unknown today. Destiny has its own plans. We are just puppets.
And, you are very modest. I have read your comments on SoY.
Many Thanks for this post.
Around 70 films with songs sung by most of the top-notch singers of the era and yet the talented composer is known only to avid music lovers.
His tragic end reiterates the gloom that many artists had to face in the film world.
The album of Jogan 1950 and the above qawwali were enough to make him famous forever. But it seems fate had other plans.
Here is one more ghazal from Moorthi (1945), a landmark film in the singing career of Mukesh.
It’s a cruel world! The film industry only knows those who are ‘trending’, if we are to use the current language. It has no scope for the past. And who anyways has time for the forgotten composers. Only the avid music lovers would know them.
Thank you for sharing yet another ghazal by Mukesh.
I used to identify him with the film Jogan.
This excellent blog added much to my knowledge.
Thank you Ravindra ji.
I’m glad you found the post useful.
Here’s another song by C.H. Atma for Bulo C. Rani :
Aa ja, aaja, ai mere dil ke qarar….
[Jahazi Lutera -1957]
And a couple of more songs from the same film:
Sun lo fariyad meri
And a duet between Manna Dey and Asha:
Safar hai zindgani…
Thank you for sharing the songs. C H Atma is wonderful in the song. So were Shamshad Begum in the second dong and Asha Bhosle, Manna Dey in third song. Heard for the first time.
Meera bhajans sung by Geeta Dutt in Jogan are unique and outstanding. Till Jogan Meera bhajans by great Kundanlal Saigal, Juthika Roy,M.S. Subbalakshmi were already popular. Bulo C. Rani and Geeta Dutt must be appreciated for this fact.
I was aware of the fact that before Jogan, so many singers had their versions of the bhajans. Then it’s really creditable that Bulo C Rani composed in a way that the songs are immortal. Remembered even after 70 years. Great !
Thank you so much for drawing my attention to it.
Very comprehensive post, Anupji, and even though you didn’t list Chaakuwala Chhuriwala (which is my favourite Bulo C Rani song!), you did mention it and link to it, so maaf kiya. 😀 And, of course, you ended the post with the more famous song from that movie. Humein toh loot liya is so ironic – such a famous qawwali, and so few people seem to have any idea who composed it.
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“even though you didn’t list Chaakuwala Chhuriwala (which is my favourite Bulo C Rani song!), you did mention it and link to it, so maaf kiya”
Oh! It’s a great favourite of mine. Thanks to you. You introduced it to me. It’s too catchy and infectious. I keep on humming it once I hear it.
As I already had a all time great qawwali from Al Hilal and the song list already had 30 songs, I skipped it. But couldn’t help mentioning it in the write-up.
And, thank you for your appreciation.
On a sad note, It’s a usual story in Hindi film industry, to remember just the song and forget about the composer or lyricist. Another similar example is of ‘Jahan Daal Daal Par Sone Ki Chidiya’. How many people remember its composer?
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Anupji your astounding feats of industriousness which will put an ant colony into shame in compiling this post with record 30 songs is an effort of wonder and I salute you for this considering how obscure is the music director you have covered in this post. I give a pitiful response highly inadequate of a few songs from the film Haseena (1955), lyrics Jan Nisar Akhtar
Ae Jazba-e-Ishq Tera by Tlat Mahmood
Arre O Chand Mere Dil Ki Halat by Bulo C. Rani and Asha Bhonsle
Thank you for sharing the songs. The song by Talat Mahmood is already on thd list.
But I won’t consider him an obscure composer. The one who composed songs from the movies like Moorti, Jogan, Bilwamangal, Bela can’t be a obscure composer. The films in his career were mostly unknown or least known. Mainly after Bilwamangal, majority of his films were obscure. But his songs were of a standard. So on that one point, I want to differ.
The songs that you have posted of Karwan/Carwan are very nice. Here’s another one from the movie that I like immensely: Dariya-e-mohabbat ka gar door kinara hai…
Here’s the link to it: https://www.youtube.com/watch?v=o9RL536Lda8
Thank you Neeru ji,
That’s a beautiful ghazal by Amirbai Karnataki. Good lyrics and a simple tune. And not to mention Amirbai. She is excellent as always.
Anupji, a very informative post on a composer who did not get his due. Alcoholism has been a bane of the film industry. So many talented artists fell prey to it.
I managed to find a song of Kishore Kumar from the movie Aabroo1956.
It is a typical Kishore Kumar song – peppy and fast. Kishore Kumar seems to be a part of the cast as well.
Forgot to mention the mukhda of the song. It is Chedoonga Main Sargam
Thank you Anitaji for the appreciation.
I had heard the song once before, but was unable to recollect while compiling the list. I think it would perhaps be the only film, KK sang for Bulo C Rani.
Thank you adding the song.
Adding a slightly better audio link, none appear to have a good audio.